作　　者： (杨青芝）;

机构地区： 河北大学文学院,河北,保定071002

出　　处： 《徐州工程学院学报（社会科学版）》 2017年第5期87-91,共5页

摘　　要： 学界一般视《文心雕龙》为文学理论,有些学者认为应还其文章学理论的本来面目。文章认为:汉儒宗经主要是指学问文章及应用文的思想内容应该合乎经典,刘勰宗经既是借助五经的权威,来肯定各体文章文学性不断增强、抒情言志类写作日益兴盛的趋势,来推动对文学文体特性和特殊形式技巧的研究;亦是试图将明道经世的经学观念加诸文学。现代龙学视《文心雕龙》为文学理论,但存在以审美和抒情言志为本还是以明道经世为本两种观念的冲突。"回归文章学"的主要意图是将龙学的多重价值着落于全体文章和整个传统文化。《文心雕龙》作为文学理论,完全可以在文学共性层面展开文化研究视野。 Academia generally regards WenXinDiaoLong as literary theory,but some scholars believe that it should be returned to the realm of Articlology.This paper argues that the Confucian classics mainly refer to those whose ideological contents of learning articles and applied texts should conform to the scriptures.Liu Xie's works not only rely on the authority of the Five Classics to affirm the literary quality of the various articles and the prosperity of lyric writing to promote the literary stylistic characteristics and special forms of skills,but also try to put Confucian classics into the studies of literature.Modern scholars treat WenXinDiaoLongas literary theory,but there is a conceptual conflict between the two basis of lyrics or classics.Therefore,the main purpose of returning it to the realm of Articlology is to place the multiple values of WenXinDiaoLongon the whole traditional classics and culture to explore its literary commonality.

关 键 词： 文学理论 文章学 文心雕龙 宗经