导　　师： 张新明

学科专业： 050102

授予学位： 硕士

作　　者： ;

机构地区： 上海师范大学

摘　　要： 现代汉语中的动结式是一个丰富的类,本文仅取其中一个成员“V满”为对象来展开研究。本文主要运用三个平面理论和认知语言学的某些思想,对“V满”的特征及其相关问题,进行了共时和历时的描写,并给予了一定的解释。本文一共五章,主要内容集中在第一章到第三章。 第一章重点讨论“V满”的句法、语义特点。我们先对“满”的语义属性进行了分析,然后根据“满”的多义性,得出了两个同形但不同义的动结式“V满1”和“V满2”,V也因此分为V/_1和V/_2。其后,我们着重探讨了V的语义特征,认为大多数V/_1具有/[+空间性/]、/[+状态/]、/[+使附着/]的语义特征,少数不具有此特征。而V/_2范围比较广,一般是具有/[+自主/]和/[+持续/]义的动作动词。最后,我们分析了“V满”的语义构造,并阐述了“V满1”构成的存在句的特点。主要从认知的角度,对其宾语为何不能受数量成分修饰给予了剖析。 第二章在立足一定量的古汉语资料的基础上,较为细致地分析了动结式“V满1”与“V满2”产生和演变历程。得出两者均来源于连动式,都经历了一个漫长的酝酿期和过渡期,才于唐五代萌芽,并在宋元时期得到普遍运用。不同的是,前者从产生开始,并得到了迅速发展,直到现代,而后者产生后,有所发展,但速度较为缓慢,在明清到民初使用频率很低。到现代汉语中,才开始兴盛。 第三章通过参考前人的相关论述,结合实际情况,对“V满1”句中具体空间NP的形状进行了分析和分类。将其分为线、面、面积、体积四种,并借助意象图式加以补充说明。此外,着重讨论了“V满1”句中隐喻空间NP的隐喻用法,并将所搜集到的语料中出现的隐喻NP进行了分类,大致分为五类:人体器官类、时间类、情感思维类、感觉类和其它类型的隐喻空间。 本文的研究虽然不够全面和深入,� There are kinds of V-R constructions in the modern Chinese, but this thesis select only one of them to study, which is 'v man'. This thesis mainly uses the Three Flats and some theories such as the Cognitive linguistics, then delineates the characteristics of 'v man' and the interrelated problems, including current and previous depictions, and gives some explanations. The thesis is divided into five chapters, and chapter 1 to 3 is the main content. The first chapter mainly discusses the syntactic and semantic characteristics of 'v man'. Firstly, we analyze the semantic attributes, and we get two different structures 'v man1' and 'v man2'. At the one time, 'v' is also divided into 'v/_1' and 'v/_2'. Furthermore, we study 'v'’s semantic characteristic, and we think that most of 'v/_1' is relative to /[+extensity/], /[+estate/] and /[+accrete/], but some isn’t. However, 'v/_2''s scope is very extensive, and it commonly has the characters of /[+initiative/] and /[+continuance/]. At last, we probe into the semantic constitution and existent sentence of 'v man'. In the light of cognitive ideas, we discuss why the objective can't be decorated by amount component. The second chapter, based on the materials of the Ancient Chinese, we analyze the appearance and evolution of 'v man1' and 'v man2' in detail. The argument is that they come from the series verbs /(V-V/) construction. They experienced a long time, appeared in Tang dynasty, and were widely used in Song dynasty. There is different that 'v man1' developed rapidly once its appearance, but 'v man2' didn't until modern Chinese. In the third chapter, referring to some related study previously, we classify the figure of material space in the sentences of 'v man1'. We get four kinds of figure: line, surface, area, cubage, which is illuminated by imago charts. Moreover, we discuss the metaphor space, and classify them into five kinds, which are apparatus, time, thinking, feel and the others. Although our study isn't enough for all aspects such as

关 键 词： 动结式 动词 满 满 空间

领　　域： [语言文字]