导　　师： 刘晓明

学科专业： 050105

授予学位： 硕士

作　　者： ;

机构地区： 广州大学

摘　　要： 元杂剧是戏剧文学的一个高峰，研究者对元杂剧的研究主要是从“文学性”、“表演性”这两个角度来论述的。针对“表演性”，主要是围绕元杂剧“空间”来研究，“空间理论”也取得了及其丰硕的研究成果，但是对于元杂剧情节发生的空间研究却有些支离破碎，不成系统。本文希望在这方面有所突破，将“文学性”与“表演性”结合起来研究，以元杂剧作品为底本，从元杂剧“情节发生的空间”这一角度来研究“空间”这一命题。 全文主体总共分为两大部分，首先是从文学角度，通过阅读杂剧作品总结出情节发生的主要空间类型。第二大部分是从表演的角度探索空间呈现方式。 第一大部分又分为两个小部分，从形式的角度和内容的角度分析元杂剧空间类型。从形式来看，元杂剧空间有单个空间、双重空间等，并分别从一折元杂剧和全本元杂剧进行分析论述。从内容来看，花园、旅店、寺庙、妓院、官府是元杂剧情节发生的主要空间，成为剧作家设置场景的主要空间，本文为了论述的方便，对每个空间类型结合作品列出表格，并将元杂剧空间置于元代文化大背景下分析，结合当时政治、经济、文化等社会背景，从文化发展的过程和作者的创作意图总结出当时剧作家设置空间的模式与特征。 第二大部分是根据第一大部分总结出来的空间类型探索其呈现方式。元杂剧是一种表演艺术，受当时舞台条件的限制，情节空间的呈现方式是当时的一大创举，通过人物上下场、演员表演、舞台分割空间来呈现不同的情节空间。 最后，不管是情节空间类型或者呈现方式，对后世小说、戏曲都产生了很大的影响。全文层层推进，从纵向和横向、从形式特征和内容特征分析空间类型，再回到戏剧舞台演出这一出发点。 The most researchers studied on Yuan Drama, which is one peak of dramaticliterature in the history, from two main perspectives 'literature' and 'performance'. Inview of performing, although having made fruitful achievements of researching YuanDrama around its spaces, their research on Yuan Drama scenario spaces is neitherprofound nor systematic. Therefore the author explored the proposition of YuanDrama's unique scenario spaces by combining it with its literariness angle of viewand based on Yuan Drama works. The paper expounded viewpoint by two sections. The first one summarized themain scenario spaces of Yuan Drama based on detailed analysis on its works fromliterature, and the second one explored scenario spaces presentation from actperformance. In the first section, the paper analyzed scenario spaces of Yuan Drama from theform and content perspective. From the perspective of form, scenario spaces of YuanDrama happened in a single space, double spaces and so on which is concluded basedon the analysis of one section or all the whole sections. From the perspective ofcontent, backyard, inn, temples, brothels and governor house were the five places forscenario spaces, which was chose frequently by playwrights. Combining the currentpolitical, economic, cultural and social background of Yuan dynasty, the authorsummarized the scenario spaces by analyzing related works, which were listed astable, and concluded scenario spaces patterns and their characteristics the currentworks used by studying the development process of literature of Yuan andplaywrights' writing intention. In the second section, the author tried to explore presentation modes of thescenario spaces of Yuan Drama that were summarized in first section. The Yuandrama is a kind of performance art, and to use scenario space is a pioneering work atthat time because the stage conditions are limit. Therefore the paper focused ondiscussing the different scenario spaces of Yuan Drama by analyzing all the characteractors' appear on the scene and there performance and there stages. In a conclusion, the scenario spaces of Yuan Drama and their presentation modes,which have an essential influence on the later novels and dramas, were summarizedsystematically in this paper by exploring from the perspective of form and contentgradually.

关 键 词： 元杂剧 空间 情节空间 呈现方式 影响

分 类 号： [I207.3]

领　　域： [文学]