作　　者： ;

机构地区： 华南师范大学音乐学院音乐教育系

出　　处： 《星海音乐学院学报》 2004年第2期6-11,共6页

摘　　要： 音乐和舞蹈,作为艺术符号,其本质都是人的内在生命情态的符号表征。从发生学的角度看。人的内在生命情感的律动是激发舞蹈体态、音乐声态的律动形式的最直接的内在动力源。舞蹈体态符号和音乐声态符号的张弛、快慢、起伏的律动形式,在某种程度上,可以说是受内在生命情态的力的张弛、快慢、起伏的律动激发和制约的,从符号形态学的角度看,舞蹈体态、音乐声态节奏律动形式与人的内在生命情感的律动形式存在着某种异质同构性,正因为这种异质同构性,人们才能通过舞蹈体态符号和音乐声态符号表达内心的生命感受,才能通过舞蹈体态符号和音乐声态符号体验把握其中蕴含的生命情态和生命意义。 Essentially as artistic symbols, music and dance is a token of expressing human feeling. From its origin, fluctuation of human mood is immediate driving force that stimulates the rhythm of music and dance. The rhythmic form of musical and orchestic symbols and their tension - relaxation, rapidness - tardiness and undulation in human mood to some extent is restricted by tension - relaxation, rapidness - tardiness and undulation in inner living mood of rhythm. In symbolic morphologic term, the same construction with different natures exists among musical and orchestic symbols and inner living mood of rhythm. Because of existing the same construction with different natures, people can express their feeling and understand the meaning of musical and orchestic symbols.

关 键 词： 音乐符号 舞蹈符号 律动形式 生命情态 同构

领　　域： [艺术]