作　　者： ; ;

机构地区： 华南理工大学人文社会科学学院

出　　处： 《海南师范学院学报（社会科学版）》 2004年第2期65-67,共3页

摘　　要： 市场化年代的文学常常引发的是人们的现实意识而非文学想象,“伤痕”以后文学超越现实只是一种姿态和假象,实际上急切地反映着现实情绪,文学屈服于现实意识,使文学永远找不到超越现实的出口。市场化年代文学的成功之处是它博得了现实的喝彩,但也失败在无法超越现实,它与现实等量齐观,不再成为文学意义的文学,而成为人们的日常生活和现实意识本身。一个把自己当作现实追随者而缺乏想象力的文学,不可能让人信任它对现实的反映是真实可靠的。 Literature in the market-oriented era tends to arouse people's consciousness of reality rather than their literary imagination; it is improbable for the literature after the 'Cultural Revolution'to tran- scend reality. Instead, literature is prone to portraying the climate of reality and subject to its conscious- ness. thus having failed to find an outlet of transcending reality. While the literature in the market-ori- ented era succeeds in delineating reality, it fails to transcend reality, thereby having been parallel with re- ality and become the daily life and consciousness of reality of the populace instead of literature in the real sense of the word. The literature which merely follows reality and is devoid of imagination is apt to be suspected of its reliability and soundness in its portrayal of reality.

关 键 词： 市场化年代的文学 文学想象 现实意识

领　　域： [文学]