作　　者： ;

机构地区： 武汉大学文学院中文系

出　　处： 《文艺研究》 2004年第2期56-62,共7页

摘　　要： 在中国现代诗学史上 ,梁宗岱最早对诗的本体特征作了整体性的把握和较为充分的敞开。他既从文体层面揭示了诗不为他物决定的禀赋和特性 ,又从艺术层面和哲学层面揭示了诗作为存在的构成方式以及存在之为存在的最高境界 ,从而在中西诗学相互交汇的格局中 ,为我们展示了一个多层次、多方位的立体化、系统化的纯诗论理论体系。 In the history of modern Chinese poetics, Liang Zongdai was the earliest to grasp holistically and thoroughly the ontological characteristics of poetry. On the one hand, he sees the essence and characteristics of poetry as not determined by things outside, as is seen from the perspective of style, on the other, he discloses, from artistic and philosophical aspect, the way poetry is formulated as a form of being and the highest realm in which existence is taken for itself. It is in this pattern that both Chinese and Western poetics are shown to converse with each other, and along with it, a multi leveled, diversified, and three dimensional theoretical system of pure poetry is displayed.

关 键 词： 梁宗岱 纯诗系统论 诗学 宇宙意识 象征手法 文体层面 艺术层面 哲学层面

领　　域： [文学] [文学]