作　　者： ;

机构地区： 深圳大学文学院

出　　处： 《深圳大学学报（人文社会科学版）》 2003年第3期94-97,共4页

摘　　要： 陌生化不仅表现在语言层面上,也表现在叙事技巧上。小说具有独特的叙事视角,其独特性在于人物有限叙事视角的采用使描写对象陌生化,即使读者习以为常的事物或事件经过艺术处理,或放大或变形,由审美的自在之物转变成审美对象,唤回了读者对生活的原初感受,使读者强烈地感受到事物,进而获得新鲜的审美感受。 Defamiliarization finds expression not only in linguistic devices but also in such narrative techniques as the choice of narrator and narrative perspectives. The employment of a unique narrative perspective, a limited narrative perspective in particular, casts a strange and new light on familiar things. The familiar objects and events, magnified or foreignized, are transformed into esthetic objects, which by recovering readers′primary sensation of the things enable them to intensely experience the artfulness of objects and offer them a fresh esthetic perception in their gradual reading process.

关 键 词： 陌生化 小说 叙事视角 人物有限叙事视角 审美感受

领　　域： [文学]