作　　者： ;

机构地区： 星海音乐学院

出　　处： 《星海音乐学院学报》 2003年第3期57-59,共3页

摘　　要： 钢琴表演艺术对于听觉的要求很高,演奏者对作品的把握从技术到艺术最终都要体现在对音响的审美创造上,而所有的演奏内容都需要演奏者通过听觉来进行最终的整合。在钢琴教学中,教师首先要帮助学生打好音乐听觉训练的基础,要时刻注意从音响的“纵”“横”两个方面来提高听觉能力。这样,才能对各种音乐要素有机建构起来的和谐形式感进行多声听觉和有效地把握,可以肯定地对所有学习钢琴演奏的人来说,听觉是否敏感对音响的完美体现具有决定性的意义。 The art of piano performance needs a high ability in hearing. Performer's grasping of piano works, from techniques to art, relies on his/her taste and sound creativeness. All performing contents must inevitably conform to the performer's hearing. In the piano teaching, teachers ought to help their students to achieve a good ground of hearing training, let them to advance their hearing in both 'vertical' and 'horizon'. Thus, by part hearing one can efiectively feel the harmonious forms based on the incorporating of various musical elements. No doubt, the sensitivity of hearing is of fatal meaning to express perfect sound for all students of piano learning.

关 键 词： 钢琴教学 听觉训练 听觉能力 音乐表情

领　　域： [艺术]