作　　者： ;

机构地区： 暨南大学文学院

出　　处： 《广东教育学院学报》 2004年第1期93-96,110,共5页

摘　　要： 20世纪90年代以来,全球化背景下科学技术的发展引起社会主导传媒形式的变化,而主导传媒形式的变化引起了原来艺术生态格局的变化。在文学不断向泛文学的转变过程中,文化批评面对当下的文学景观,从关心纯文学到关注泛文学,从关怀终极价值到关怀世俗,从回避问题到自觉批判,从单一视角到整体观照,从重视宏观理论到关注微观个案,从独尊话语的思维到多元思维,显示了极强的现实回应能力和阐释能力。 Since 1990s, on the background of globalization, the development of the science and technology gives rise to the transformation of the guiding media which results in the change of the original art's structure. Facing the present modern literature, in the process of the transformation from literature to universal literature, cultural criticism demonstrates extreme practical responding and interpreting capability in various aspects, such as concerning from pure literature to universal literature, from ultimate value to common custom, fact from avoiding questions to conscious criticism, thinking from single perspective to total concern, from macro-theory to micro-individual, from mono-thought to poly-thought etc.

关 键 词： 文化批评 当下性 思维方式 中国 价值观念 社会心理

领　　域： [文学]