作　　者： ;

机构地区： 广州大学人文学院中文系

出　　处： 《中山大学学报（社会科学版）》 2004年第1期39-44,共6页

摘　　要： 苏曼殊的哀情小说有对悲哀之美的艺术追求和审美指向,并赞颂因爱的死亡。《昭明文选》以哀伤为特色,其以悲哀之美所建立的审美范式奠定了中国文学的主要美学基调。通过哀情小说这个形式,时代的情绪与悲哀之美的审美传统找到了契合之点。小说中的人物形象,是蕴含了几千年历史中某类文化内涵的符号,也是民众某类情感的代言者。《玉梨魂》等哀情小说以诗化和雅化的手段强化了才子和佳人的悲哀,达到了本质意义上的悲哀之美。 The tragic love novels of Su Manshu have an aesthetic pursuit of tragic love, and they extol the death for love. Zhao Ming Selected Works is characterized by the beauty of tragedies which has laid the main foundation of the aesthetic keynote of Chinese literature. By means of the form of tragic love novels, the sentiment of the specific times and the traditional appreciation of tragic beauty reach harmony. The characters in the novels are symbols of a certain kind of culture over thousands of years. They are also the representatives expressing the feelings of the common people. Soul of Pure Pear Flowers and the like strengthen the sorrow and grief between the gifted scholars and the beautiful ladies through the technique of poeticizing and urbanizing, which has thus achieved the effect of the essential beauty of love tragedies.

关 键 词： 苏曼殊 哀情小说 悲哀之美 才子佳人

领　　域： [文学]