作　　者： ;

机构地区： 中山大学人文科学学院中文系

出　　处： 《艺术百家》 2003年第3期38-42,共5页

摘　　要： 本文从历史文献出发,结合今人研究成果,试图澄清三个问题:一、参军戏始于何时以及早期“弄参军”之“参军”与宋代参军戏之参军有何联系;二、苍鹘的身份及表演的问题;三、宋代的参军戏中有没有“苍鹘”,击打是否宋代参军戏的特征。在此基础上,笔者试图勾勒出宋代参军戏的历史真貌。 This paper starts from historical literature and combined contemporary research achievements in an attempt to clarify three questions: 1. When did the 'Canjun'Drama begin and what was the relationship between the 'Canjun' of the earlier 'Teasing Canjun'and the 'Canjun'in the 'Canjun'Drama. 2. The identify of 'Canjun'and its performance. 3. Whether there was 'Canghu'in the Song' Canjun 'Drama, in addition, whether' assault 'was the characteristic of the Song 'Canjun 'Drama. Based on these, the author tries to give a brief account of the true of the Song' Canjun' Drama.

关 键 词： 参军戏 参军 苍鹘 击打 表演特征

领　　域： [艺术]