作 者: ;
机构地区: 汕头大学长江艺术与设计学院
出 处: 《汕头大学学报(人文社会科学版)》 2003年第3期48-53,共6页
摘 要: 中国古代水墨画摒弃纷繁的色彩 ,以黑白二色表现意象 ,形成独特的色彩意识。它的形成 ,除了众多复杂的因素外 ,与古代画者提倡禅定 ,重视内心静修有极大的关系 ,是画家一种“意象”的外现。 Ancient Chinese ink and wash painting relinquishes a riot of color and prefers black and white as its self image to form its own chromatic consciousness. Among the many complex factors for the choice, the most likely one is the deep meditation while sitting quietly practiced by ancient Chinese ink and wash painters.This might be an outer expression of the painters' image.
领 域: [艺术]