作　　者： ;

机构地区： 安徽农业大学人文社会科学学院

出　　处： 《绍兴文理学院学报（哲学社会科学版）》 2014年第5期67-71,共5页

摘　　要： 作为20世纪著名的美学家,吕荧在美学大讨论中所倡导的"美是观念"的美本质界定招致当时乃至后世的诸多批判,而"美是观念"的背后乃是吕荧对美与现实生活紧密关联的清晰洞悉,这是吕荧现实主义文艺观的根基所在,"真实"与"诗"则是吕荧秉持的文艺观的两个基本维度,厘清学界对吕荧美学思想的理论误读,还原其现实主义文艺观的理性价值,进而恢复吕荧在美学史上的应有地位,这在当下的美学研究中有着重要的现实意义。 As a well- known aesthetician in the twentieth century,Lv Ying has been receiving much criticism from scholars of his times and later generations for his notion that'beauty is a concept'proposed by Lv Ying in the aesthetic discussion. The notion embodies Lv Ying's clear insight into beauty and the real life,which lays the foundation of his realistic literary concept,of which'truthfulness'and'poetry'are the two fundamental dimensions. It is of great significance to the contemporary aesthetic study to clarify the misreading of Lv Ying's aesthetic thoughts and to restore the rational value and the right place of Lv Ying in the aesthetic history of China.

关 键 词： 吕荧 现实主义 生活 真实 文艺

领　　域： [文学]