作　　者： ; ;

机构地区： 广东外语外贸大学

出　　处： 《辽宁大学学报（哲学社会科学版）》 2003年第2期18-23,共6页

摘　　要： 笔者从形式问题入手,试图发现并分析构建马尔罗艺术形式理论的基石。因为对作者而言,艺术形式同人类的生存一样,始终是其关心的首要问题。其次,论述变形这一命题,按照马尔罗的观点,变形是艺术发展的必然和艺术生命的固有规律。最后,阐释人类、艺术和现代社会之间的关系问题。 This paper attempts to discover and analyse the cornerstone which constitutes Malraux's theory on artistic forms. We begin our investigation with the issue of artistic form which is always his primary concern as well as the human existence. Then we elaborate the theme of metamorphosis. According to Malraux, metamorphosis results from artistic development, and constitutes an inherent law of art. Finally, we offer a tentative explanation of the relationship between human race, art and modern society.

关 键 词： 马尔罗 艺术形式 文化哲学 变形 美学 人类

领　　域： [艺术]