作　　者： ; (吕懿轩）;

机构地区： 吉林师范大学博达学院

出　　处： 《佳木斯职业学院学报》 2016年第3期319-,共1页

摘　　要： 所谓绘画中的自然形态是指在自然条件下形成的可触摸或可视的形态,像高山、河流、瀑布、树木等。这些自然形态要素在绘画中,不仅是对事物的客观再现,而且还可以通过画家对它们的描绘触及世界本源。在《康定斯基论点线面》中,他把自然形态各要素简单地归纳为基本的几何形状,如点、线、面等。这样每一个独立的形就是一种元素,这些元素在康定斯基的概念里,都赋予了科学性,在画布上呈现出了特有的符号,而不再是客观的形象。本文主要从点、线、面入手,分析长白山地区风景油画写生中的自然形态要素,总结在长白山地区进行艺术创作时的思考和探索。 The painting in the natural form, refers to the formation of under natural conditions, tangibly or visual form, like mountains, rivers, waterfals, trees, etc. These natural shape elements in painting, not only objectively present the things, but also through the painting touch the origin of the world. In “Wassily Kandinsky : Point and Line to Plane”, he put the elements of natural form simply as the basic geometry, such as point, line and plane. So each individual shape is a kind of elements, these elements in Kandinsky's concept, gives the scientific nature, on the canvas showing a unique symbol, and is no longer the objective image. This article mainly starts from the point, line, plane, analyzes natural shape elements of Changbai Mountain area landscape painting sketch, summarizes the thinking and exploration of artistic creation in the Changbai Mountain area.

关 键 词： 长白山地区 风景油画写生 自然形态

领　　域： [艺术]