作　　者： ;

机构地区： 绍兴文理学院人文学院

出　　处： 《湖南涉外经济学院学报》 2014年第3期25-31,共7页

摘　　要： 作为与20世纪中国文学发生广泛而深刻联系的文艺思潮,唯美主义最初进入中国,并非以整体打包方式进行,也不完全是理论指导下的行为,而是由于很多偶然因素,甚至是以被无意中夹带的艺术"细菌"方式进入中国,其资源也远不只限于英法、日本唯美文学。研究者较少瞩目的胡适诗作、小诗以及许地山创作中的唯美倾向,就体现出唯美主义进入中国方式的潜隐性以及中国现代唯美文学创作资源的丰富性。 Having extensive and profound contact with Chinese literature in 20 th century,aestheticism entered China neither in an overall packaged way nor under the theoretical guidance.On the contrary,it was due to many casual factors,or was even unintentionally entrained in the artistic "bacteria" way into China.Resources were far not limited to British,French and Japanese aestheticism literature.The aesthetic tendency in Hu Shi’s poetry,little poems and Xu Dishan’s novels,which were paid little attention by researchers,showed us the latent way of aestheticism into China and the luxuriant resources of modern aestheticism literature.

关 键 词： 唯美主义 五四 新文学 小诗

领　　域： [文学]