作 者: ;
机构地区: 华南理工大学
出 处: 《世界建筑》 2002年第11期65-67,共3页
摘 要: 本文是关于建筑语言的抽象形式与符号意义的作用及其相互关系的研究。建筑艺术不是单纯的实用物,是处于“纯的艺术”与实用物这两极之间的变化中,在变化的不同梯阶上,抽象形式与符号意义的作用与关系也是不同的。建筑作为文化表意符号的能指/所指关系,即形式/意义关系在建筑符号学的领域里通过“陌生化”手法加以应用,这意味着由抽象形式与意义混杂而成的建筑语言的通俗性和建筑艺术表现手法的多样性。 The study object of the paper is therelationship of the signifier and the signified,namely the relationship between the form andthe meaning in architecture. The subject in thearticle has been viewed in psychological andsemiotic ways. Architecture is neither pure artnor pure functional object, it is situated ondifferent level between pure art and purefunctional object. So the signification art andpure functional formal language are used inarchitecture for different ways, and it wouldlead to some popular taste and plentiful manners