作 者: ;
机构地区: 山西师范大学文学院
出 处: 《湖南工业大学学报(社会科学版)》 2016年第2期63-68,共6页
摘 要: 叶紫的小说创作题材主要集中在故乡洞庭湖边的农民生活,其作品隐现着悲愤的乡愁并呈现出强烈的反思性。这与作家漂泊无着的窘迫生活以及革命烈士遗属的特殊身份密切相关。叶紫的"乡愁"以聚焦故乡人际关系的方式,积极介入社会生活的阶级、精神层面。在乡愁描画的精神轨迹中,阶级意识的式微与主体意识的萌发正是叶紫对于革命的独立解读。在20世纪30年代革命文学论争的语境中,这不仅是对"第三种人"的有力回击,而且也显示了"五四"之后,作家力图在革命、政治等宏大叙事干预下再次回到启蒙主体的努力。 Themes of Ye Zi' s novels focused on the farmers' life along Dongting lake, which is his homeland. His work looms grief nostalgia and shows strong reflexivity, which is the writerg adrift living conditions of distress and revolutionary martyrs distress survivor of the special status closely related. By focusing hometown relation- ships, Ye Zig "nostalgia" is actively involved in social life, classes, spiritual level. In the spirit of nostalgia emo- tions, the decline of class consciousness and the germination of subject consciousness are Ye Zi' s independent interpretation of the revolution. In the context of revolutionary literature debate in 1930s, this was not only a powerful response to the "third person" , but also showed political and other grand narrative intervention after the May 4th Movement and during the revolution. The writer tries to return to the efforts of enlightenment subject again un- der the intervention of revolution and politics.
领 域: [文学]