作　　者： ;

机构地区： 华南师范大学外国语言文化学院

出　　处： 《华南师范大学学报（社会科学版）》 2015年第2期110-116,191,共7页

摘　　要： 布拉格学派从事文学与美学研究的领军人扬·穆卡若夫斯基,于20世纪三四十年代首次将结构主义理念融入审美价值问题研究。与传统美学多从本体论这一静态视角来研究审美价值不同,穆卡若夫斯基始终坚持从动态的视角出发。他不再追问审美价值一劳永逸的定义,而是将其视为一种过程;不仅关注审美价值自身演变的规律,也重视社会对审美价值演变产生的影响,从而有效地将共时与历时、主体与客体结合起来,最终在审美评价的易变性与普遍审美价值的客观性之间达成较好的平衡,将审美价值研究推向深入。 Jan Mukarovsky,a leader of literature and aesthetics research in Prague School,during the 1930's and 1940's,pioneered the concept of structuralism into the research of aesthetic value. Different with the traditional aesthetics,which insisted on the static ontological perspective to study aesthetic value,Jan Mukarovsky started from a dynamic perspective,and no longer asked to define aesthetic value once and for all,but saw it as a process. He not only observed the laws of evolution of aesthetic value,but also concerned about the social impact of the evolution of aesthetic value,thereby effectively connected the synchronicity and diachronism,subject and object,which eventually achieved a better balance between the volatility of aesthetic evaluation and the objectivity of universal aesthetic value,thereby giving an impetus to the research of aesthetic value.

关 键 词： 布拉格学派 扬 穆卡若夫斯基 审美价值 结构主义

领　　域： [文学] [哲学宗教]