作　　者： ; ;

机构地区： 华南理工大学建筑学院

出　　处： 《华中建筑》 2014年第5期135-139,共5页

摘　　要： 闽南、粤东、台湾三地之建筑审美文化,乃文化承袭与地域性、时代发展等因素共同建构与导引出的文化现象,此审美文化共性并非单纯独立存在,紧系于各种庶民生活文化积累的生活形态与审美之中,并以建筑形式与装饰图样表现于庙宇屋顶装饰。藉由文化解读与审美分析的方式,解析闽南、粤东、台湾三地庙宇屋顶装饰的分布与图样,辅以对照此三地的庶民文化,得悉此三地因为文化承袭与地域性、时代发展等因素,建构出同质性高且形态相似的审美体制、装饰观念、审美文化与审美价值。 The architect aesthetics in Southern Fujian, Eastern Guangdong and Taiwan is a cultural phenomenon brought up by the interaction of its cultural heritage, locality and time development. This specific aesthetics is part of the common ideology which reflects living styles and aesthetic senses of various commoners in these areas. These living styles and aesthetic senses have been the result of the cultural accumulation through many generations. The architect aesthetics in this area is characterized by its architect style and the decorative designs on temple roofs. By decoding their culture and analyzing their aesthetics, we try to interpret the designs and its periphery of the temple roof decoration in these three areas. Meanwhile, by comparing the commoners＇ culture of these three areas, we also draw out the conclusion that due to the same cultural heritage, locality and time development, the above three areas have constructed their aesthetic perspectives, decoration notions, aesthetic culture and aesthetic evaluation of very high similarity.

关 键 词： 建筑美学 闽南 粤东 台湾地区 庙宇装饰 审美共性

领　　域： [建筑科学]