作 者: ;
机构地区: 安徽农业大学人文社会科学学院
出 处: 《贵州师范大学学报(社会科学版)》 2014年第2期105-111,共7页
摘 要: 作为中国古代小说理论的主要承载者,明清小说评点文本的建构过程某种程度上就是一种互文过程,而与小说同源的戏曲则成为评点者观照的当然对象。从楔子、折、关目、收煞的直接移植到评点者以之为基础的文本演化,小说评点叙事中构筑了一套完整的戏曲化的审美符号,为评点文本的叙事增添了戏曲化的结构导向,进而也为评点文本的多元互文拓展了跨学科的文本视野。 As the principal bearer of Chinese ancient novel theories, the constructing process of the texts of commentaries on no- vels is to some extent an intertextuality process, with the drama being critics'reference object. Xiezi, Zhe, Guanmu and Shousha are transferred and evolved into the texts. A complete set of aesthetic symbols of drama is constructed which adds the dramatic structure orientation and develops the vision of inter- disciplines.
领 域: [文学]