作　　者： ;

机构地区： 暨南大学文学院

出　　处： 《华文文学》 2014年第2期101-106,共6页

摘　　要： 黄锦树是马华文学新生代的代表人物，他创作于1995年的短篇小说《鱼骸》是其写作生涯中具有里程碑式的作品。《鱼骸》用浑厚沉郁的文字风格，讲述了一个旅台马华学者的现实境况与往事追忆，对离散华人的原乡想象与身份认同问题进行了深入的考察。《鱼骸》全篇散发着热带的气息与神秘的中国氛围，故事怪诞且意象充盈，将文化政治寓于美学的经营之中，在表面的情节背后潜藏着浓郁的象征意味，构成了独特的“离散诗学”。而《鱼骸》表述中的种种暧昧与悖论也是黄锦树自己的困惑与危机。 Huang Jinshu is a representative figure of the new generation in Malaysian Chinese literature. His 1995 short story ＂The Fish Skeleton＂ is a milestone in his writing career. With depressed style of writing, ＂The Fish Skeleton＂ tells about the present situation and the reminiscence of a Malaysian Chinese scholar in Taiwan, and explores thoroughly the hometown imagination and identity problems of diaspora Chinese. With its bizarre stories and images, the story demonstrates a tropical flavor and a mysterious Chinese atmosphere. It implies cultural politics in aesthetics and rich symbolic meaning under the plot on the surface, and it constitutes a unique diaspora poetics. However, the various ambiguities and paradoxes in the story betray Huang Jinshu＇ s own confusions and crisis.

关 键 词： 黄锦树 鱼骸 家国寓言 离散诗学

领　　域： [文学]