作　　者： ;

机构地区： 辽宁师范大学音乐学院

出　　处： 《辽宁师范大学学报（社会科学版）》 2014年第2期281-285,共5页

摘　　要： 美声、民族和通俗唱法是我国当前乐坛上齐驱并进的三种主要唱法,不仅社会影响较大,而且也是声乐学习者的主要学习唱法。在经历了自身的历史沿革和发展之后,这三种唱法已经成为具有各自鲜明特色的声乐艺术体系和演唱艺术方法体系。虽然关于三种唱法的艺术风格、审美感染力的研究已经相对较多,然而对于专业人员来说,在唱法的技术和技巧层面上对这三者有清晰而又透彻的理解与把握仍然非常重要,同时这三种唱法还是音乐教学研究和舞台演出的扎实基础。基于这种考虑,通过对美声、民族和通俗三种唱法的发声、共鸣、吐字等唱法的基本技巧的理论认知、实践阐释和比较研究,剖析三种唱法各自的强调要点以及由此而形成的声音形象特征,探讨三种唱法的共同规律和舞台演出的转化。 Bel canto ,national chanting and popular chanting are the three main singing techniques of Chi-nese Music .They are not only having huge social influence ,but also the main learning objects for music learners .After the history and revolution through time change ,these three singing styles have evolved in-to distinctive characteristics of vocal music system and singing art system .Although there are a wealth of articles to compare and contrast the three techniques in artistic conception and aesthetic appeal ,the under-standing and controlling in singing skills and professional level are also significant for professionals .Mean-while ,the singing skills and techniques are the basics for research of music education and stage perform-ance .According to this idea ,based on comparing and contrasting phonation ,resonance and enunciation , three kinds of singing skills in Bel canto ,national chanting and popular chanting ,this paper analyzes the main points of the skills ,then ,discusses how they are making the voice difference and find out the com-mon rules of the three singing techniques and utilization in stage performance .

关 键 词： 美声唱法 民族唱法 通俗唱法 歌唱技术 发声 共鸣 吐字

领　　域： [艺术]