作　　者： ;

机构地区： 广东省社会科学院

出　　处： 《汕头大学学报（人文社会科学版）》 2013年第6期22-26,92,共5页

摘　　要： 乡土祭祀戏剧是指以祭祀演剧为主体的各类乡土戏剧,宋元以来一直是中国最主要的戏剧样式与形制,拥有最广大的观众群。经过上世纪50年代初至70年代后期的政治改造运动以及90年代以来现代流行文化、外来文化冲击,包括白字戏在内的少数乡土祭祀戏剧的遗存也已处于濒危状态。保护这些蕴藏丰富信息的戏剧活化石不仅对于中国戏剧的学术研究,而且对于保存中国传统文化,构建多元文化体系都具有重要的现实意义。 Local sacrificial drama refers to the local operas mainly performed at the sacrificial ceremony,which has been the major and the most popular dramatic form since the Song and Yuan Dynasties.The political movements of the period from early 1950s to the late 1970s,and the modern popular culture as well as foreign cultures drove the small number of local sacrificial drama,inculding Baizi Opera,to the edge of extinction.The protection of these highly informative living fossils of drama has important practical significance not only for research on Chinese drama,but also for the preservation of traditional Chinese culture and the construction of the multi-cultural system.

关 键 词： 乡土祭祀戏剧 白字戏 活化石 保护

领　　域： [艺术]