作　　者： ;

机构地区： 华南理工大学法学院

出　　处： 《知识产权》 2013年第11期102-108,共7页

摘　　要： 俄罗斯联邦《民法典》将视听作品作为著作权保护的客体,视听作品的作者是导演、电影剧本作者、作曲者,制片人是视听作品创作的组织者,制片人通过与作者的转让以及许可合同获得作品的使用权。视听作品的作曲者在视听作品公开展演或者通过无线或者有线播放时,有获得报酬的权利。俄罗斯《民法典》还规定了复合客体,复合客体是俄罗斯立法的一个新措施。复合客体的制作者使用其他智力活动成果应该与权利人签订转让或许可合同,除此之外,法律为保障复合客体的利用,对合同内容作出了一定的限制。俄罗斯立法对视听作品的著作权保护对我国修改著作权法也有一定启示。 The Civil Code of the Russian Federation sets audiovisual works as the object of copyright protection. The Civil Code said that the authors of audiovisual works is screenplay writer, director, composer. The producer is the organizer of the audiovisual works. The producer can obtain the right to use a audiovisual work by transfer with the author or by license contract. The composers of audiovisual works have the right to get paid when the audiovisual works being public performanced or broadcasted through wireless and on cable channel. The Russian Civil Code also specifies composite object, it is a new measure comes from the Russian legislation. When the makers of the composite object want to use other intellectual activity results should sign a transfer or license contract with the rightholder. In addition, in order to guarantee the use of the composite object, the civil code made some certain restrictions to the contract content. The copyright protection of Russian legislation on audiovisual works also has certain enlightenments for our country to amend the Copyright Law.

关 键 词： 俄罗斯 著作权 视听作品

领　　域： [政治法律] [政治法律]