作　　者： ; (多木浩二）; (刘东洋）;

机构地区： 不详

出　　处： 《南方建筑》 2013年第5期5-16,共12页

摘　　要： 通过追踪筱原一男建筑生涯的轨迹,文章分析了他从1966年的白之家到1980年代不同风格时期作品之间的关联性,讨论了分割与对立、空间反转、混沌、裸形、机器、野性、基因性形式等概念,探究了筱原一男作品的内在结构。筱原一男的作品以不变的对立关系为基础,演化出诸多的构成变化,他为建筑引入了一种独特的途径,旨在为时代完成对意义的重塑。 Through tracing the locus of Kazuo Shinohara＇ s architecture career, the article concentrates on an analysis of the intrinsic structure in the works autonomously developed by Shinohara, attempting the correlational analysis of his works from the 1966 House in White into the 1980s, discussing the concepts such as division and opposition, the reversal of space, nakedness, machine, savagery, and Geno-form etc. With this invariant relation of opposition as a base, Shinohara＇s work has evolved through a great range of compositional variation. He has introduced a unique approach to architecture, aiming toward the rehabilitation of meaning in his contemporary era.

关 键 词： 筱原一男 内在结构 意义 对立

领　　域： [建筑科学] [艺术]