作　　者： ;

机构地区： 汕头职业技术学院

出　　处： 《汕头大学学报（人文社会科学版）》 2013年第4期47-52,95,共6页

摘　　要： "艺术终结论 "的焦虑表明了当代西方艺术陷入了困境,其实质是现代艺术出现了内容与形式的双重危机:情感的危机和表达的危机。在马克思主义人类学和美学的观点看来,"艺术终结论"表达内涵是:由于现代主义和后现代主义的"艺术去人性化"走向极端,艺术终结的不仅是人性化的内涵,终结的还有艺术的形式。"艺术去人性化"违背了艺术使生活更美好的人类学意义,也隔断了艺术与人性的脐带关联。所以,马克思主义美学以人类学概念"人工制品"重置艺术的人性化内涵,解驱尘嚣弥漫的"艺术终结"魔咒。 'The end of art' betrays an anxiety that modern western art is in trouble,and its essence is the dual crisis of modern art in both form and content: emotional crisis and expressive crisis.In the view of Marxist anthropology and aesthetics,'the end of art' means because of the extremity of the modernist and postmodern 'dehumanization of art',not only hommization,the connotation of art,but also the form of art comes to an end.Dehumanization of art violates art 's anthropological significance of making life better,and severs the umbilical cord between art and humanity.Therefore,Marxist aesthetics recovers the hommization of art through the anthropological concept of 'artificial products' so as to dispel the influence of 'the end of art'.

关 键 词： 马克思主义美学 艺术终结 人工制品 人性化 回归艺术

领　　域： [艺术]