作　　者： ;

机构地区： 五邑大学土木建筑学院

出　　处： 《华南理工大学学报（社会科学版）》 2013年第3期54-60,114,共8页

摘　　要： 20世纪二三十年代,广东五邑地区及邻近县份的部分地区,很多赴海外谋生的华侨回乡结婚,并建碉楼和别墅等楼房供家人居住。时人在建设过程中,以模仿西洋建筑为尚,参考及借鉴西方古典建筑的某些特征,又混有本地传统建筑文化元素。以岭南地区盛行的建筑装饰壁画与灰雕为主要表现手法,兼用进口材料与西画技法。然而,此种装饰无论在材料或者表现主题和表现手法上,都不同程度地异于岭南地区的传统特点。本文以民国时期广东开平县的华侨建筑为例,分析民国时期北美华侨之乡的壁画和灰雕装饰的特点、成因及其社会意义。 During 1920s to 30s, overseas Chinese originally from Wiyi district of Guangdong and the neighboring counties came back to their hometown to get married and built diaolous and village villas for their families. It seems absorbing Western architectural ideas during the construction of these buildings were prevalent. Builders combined elements of both Classical Architecture and local traditions. Craftsmen mostly follow the local Lingnan decoration style of fresco and stucco carving, as well as imported colors and Western painting skills. However, this kind of decoration is different from those of Lingnan tradition, in terms of themes, techniques, and materials. This paper attempts to focus on the architecture of Kaiping of the period as a case, to analyze the cultural values and social sig- nificance expressed in the murals and stucco carvings.

关 键 词： 民国建筑 壁画 灰雕 建筑装饰 开平碉楼

领　　域： [建筑科学] [艺术]