作　　者： ; ;

机构地区： 仲恺农业工程学院艺术设计学院

出　　处： 《南京艺术学院学报（美术与设计）》 2013年第3期83-86,164,共4页

摘　　要： 本文讨论在当代以主体间性为主流的美学体系关照下的数字图形审美问题。运用主体间性美学中的审美方法,结合当代审美心理,从主客体的关系出发分析当代处于领导地位的数字图形的审美问题。数字图形符合当代美学的审美原则,它消解了主客体的对立和主体的主导地位。并让人们认识世界,让人们可以自由地随心所欲地观察这个世界,观察我们生活的方方面面,还可以自由地抒发自己的内心感受,创造自己喜欢的图形和虚拟的生活方式。 This thesis discusses the question of aesthetic judgment of digital patterns in the vision of contemporary aesthetic system of which intersubjectivity is the main stream.It applies aesthetic approaches in intersubjective aesthetics,combines aesthetic psychology today,starts from the relationship between the subject and the object to analyze the aesthetic questions of digital pattern that plays the leading role today.Digital pattern fits for the aesthetic judgment principle of aesthetics today,de-constructs the opposition of subject and object,as well as the subject’s leading position.It makes people know the world,observe it freely as they wish,look into faces of our life,express their feelings at heart freely,and create patterns and virtual life stylethey like.

关 键 词： 当代美学 审美 数字图形审美

领　　域： [艺术]