作　　者： ;

机构地区： 中国美术学院设计艺术学院设计艺术学系

出　　处： 《创意与设计》 2013年第2期80-86,共7页

摘　　要： 明代黄成所著《髹饰录》二卷在中国漆艺设计史上扮演着十分重要的角色。然而在十九世纪以前此书在国内却销声匿迹,仅以手抄本的形式流传于日本。但到了20世纪,随着世界各地博物馆对中国漆艺收藏的兴趣,《髹饰录》逐渐为学者们所关注。国内外各界对《髹饰录》的研究异军特起,成果灿然,各具特色。对《髹饰录》研究的现状有更为全面、深入的了解,定能对进一步拓宽中国漆艺理论的研究视野有所裨益。 Xiushilu,The Records of Lacquering,plays an important role in Chinese lacquer art history. As a craft and technical text,Xiushilu was lost in China during the Qing period,only a hand-written copy of it was saved in Japan. By 20th century, the art historian began researching on it,because lots of Chinese lacquer art treasures were collected by the museums around the world and they need to know more about how to display and enjoy them. If we can be deeply and roundly more understanding the research on Xiushilu, it will help us further improve the study of China lacquer art.

关 键 词： 髹饰录 研究 世纪

领　　域： [轻工技术与工程] [轻工技术与工程]