作　　者： ;

机构地区： 韩山师范学院

出　　处： 《中国陶瓷工业》 2013年第2期35-37,共3页

摘　　要： 康熙晚期,郎世宁远渡重洋带来了珐琅器,并且在他的亲自指导下瓷胎画珐琅成功创制;雍正时期,郎世宁创作的大量西洋油画以及为御窑厂绘制的瓷样,成为广州广彩瓷工匠们可资效仿学习的蓝本,色彩艳丽、富丽堂皇的广彩瓷上可清晰看到郎世宁油画艺术之风;乾隆时期,郎世宁独创的新体画为乾隆粉彩带来一股艺术新风,使其形成了中西合璧的艺术特色,成为彩瓷艺术史上一个颇为重要的转折点。 In late Kangxi period, Guiseppe Castiglione arrived in China and brought with him cloisonne ware. Under his instruction, cloisonne decoration was successfully applied onto ceramic ware. During Yongzheng period, he created a large number of oil paintings in western style and designed decorative patterns for imperial ceramic plants, which were transferred to canton wares. The rich colored canton enamel painting reveals the remarkable influence from his oil painting. In Qilong period, he developed a novel style of painting which contributed to the freshness of famille rose decoration, an art combination of the East and the West, and also an important milestone in enameled ceramic painting.

关 键 词： 郎世宁 珐琅彩 广彩瓷 粉彩 影响

领　　域： [历史地理] [历史地理]