作　　者： ;

机构地区： 星海音乐学院

出　　处： 《黄钟（武汉音乐学院学报）》 2013年第2期146-153,共8页

摘　　要： 网络环境下古琴音乐传播与继承出现了变化,不同的传播形态呈现出不同的传播效果和反馈信息。其开放式的网络传播,为琴乐获得更为广泛的受众。然而同时也带来了自身文化特性的转变如:精英化向大众化妥协、审美性向技术性妥协、自省性向娱乐性妥协。琴乐的网络传播在官方、民间、高校三种类型之下呈现出传播形态的静态与动态的双重性特征。琴乐文化网络传播的迅猛发展将导致只关注其表象中的表演与技术,而弱化古琴音乐背后的审美趣味、文化象征,同时由网络带来的知识产权纠纷也或会成为新的问题呈现在琴乐文化的当代发展中。 The communication and inherit of Guqin（Chinese sitar） music appeared changes in the net work environment,and the different communication pattern showed different effects and feedback information.The opening network communication could get a wider audience for the guqin music.But at meanwhile,it also brought some changes in the characteristics of its own culture,such as： the elite to mass compromise,the aesthetic compromise with technical,and introspection concessions to entertaining.There are three types for guqin music spread on network： official,civil society and colleges,they showed dual communication pattern features of static and dynamic.The rapid development of guqin music culture communication on network will lead to only concerned with showing and technology on its surface,and weakening of the aesthetic tastes and cultural symbols behind the guqin music,and at the same time,the intellectual property dispute caused by the network might become the new problems presented in the development of contemporary guqin music culture

关 键 词： 网络环境 古琴音乐 传播与继承 利弊

领　　域： [艺术]