作 者: ;
机构地区: 佛山科学技术学院文学与艺术学院
出 处: 《学术研究》 2013年第3期134-137,160,共4页
摘 要: 黄飞鸿、李小龙、成龙、李连杰等叱咤于中国和美国好莱坞银幕的功夫巨星已成为中华武术、中国民间英雄的标志。有关洪拳大师黄飞鸿的武侠传奇叙事活动在岭南、港澳、台湾、东南亚、北美的传播历时百年,成为和新派武侠小说及影视系列、霍元甲小说及影视系列并列的三大中国现代武功文化叙事系列之一。"特型电影艺术+学术性+中国特色文化产业"特征使黄飞鸿叙事活动兼具元甲系列民族与时代主题和小龙系列跨国文化沟通之长,而避免了元甲题材在海外传播相对不广与小龙题材乡土民俗趣味甚少的问题。 The narrative influence of master Wong Feihong on martial arts,who has become one of the three modern martial arts in the narrative system of Chinese cinematic culture besides neo-swordplay novel and film system,Huo Yuanjia’s novel and film system in China,has already been transformed into a symbolic cultural token from a pure historical figure among Lingnan’s folks and overseas Chinese groups.It has been published and spread widely over 100 years.Thousands of the Wong Feihong ’s narratives have owned advantages in both nation and times theme over Huo Yuanjia’s narrative series and Bruce Lee’s Kungfu narratives.At the same time,the Wong Feihong’s narratives have not owned the shortcoming in spread overseas like that of Huo Yuanjia’s narratives,nor the weakness of lacking folklore interesting like that in Bruce Lee ’s Kungfu narratives.The paper reveals a characteristics of ‘special movie art + academic + Chinese cultural production ’.
领 域: [艺术]