作　　者： ;

机构地区： 华南师范大学文学院

出　　处： 《中南大学学报（社会科学版）》 2013年第1期218-222,共5页

摘　　要： 萧也牧的《我们夫妇之间》和沈西蒙、漠雁、吕兴臣编剧的九场话剧《霓虹灯下的哨兵》是较早的"乡下人进城"作品。《我》的饱受争议与《霓》剧的名噪一时形成了鲜明的反差,这源于二者对城乡日常生活方式差异的不同想象。经由这一文学现象的考察,可见当代城乡差异叙事逐渐剥离阶级、国家意识的遮蔽与替代转向不同身份的生命的"生"的个体差异。"差异"的历史衍义折射了国家、阶级、民族宏大叙事的祛魅以及对生命本体差异现状的正视与回归。透视"差异"衍义的审美经验背后的政治,可知进城的乡下人在创造生活的同时也在创造一种历史。 Xiao Yemu’s Between the couple and Shen Ximeng,Mo Yan,Lü Xingchen（screenwriter）’s nine-act drama Sentinels under the neon lights are earlier works of the literature descvibing the countryman into the city sharp.contrast can be found between the Between the couple and Sentinels under the Neon Lights.This is because of the two imagies are different ways of daily life in urban and rural differences.Through our investigation of this literary phenomenon,we know that the contemporary urban and rural differences in narrative gradually stripped the class and national consciousness of the shelter and the substitution to the individual differences of the different status of ＂life＂.Difference historical deduction reflects the national,class,national grand narrative of disenchantment and to face and return to the status quo of life’s ontological difference.Behind the political perspective aesthetic experience of the ＂difference＂ deduction,we can see that the countrymen come to the city to create their own lives life while creating a history.

关 键 词： 我们夫妇之间 霓虹灯下的哨兵 城乡日常生活方式 差异 政治伦理 现代性

领　　域： [文学]