作　　者： ;

机构地区： 辽宁师范大学中文系

出　　处： 《中国社会科学》 2000年第5期155-165,共11页

摘　　要： 心理学、哲学和文学的意识流理论出自西方 ,以这种理论为指导的意识流小说在西方取得了极高成就 ,但是意识流无论作为人本身的精神特质 ,或是作为一种文学创作方法 ,在中国古典诗词中都得到了充分体现 ,意识流技巧在以抒情为特质的诗歌中更容易被充分采用。本文以现代理论观照中国古代作品 ,用比较的方法 ,以大量的事实从逻辑和学理两方面充分证明 ,中国古典诗词中的意识流不但存在 ,而且在发展过程中形成了极为精妙的、相当完备的意识流技巧和意识流形式 ,本文作者将其划分为顺流、环流、向心流、混流等 4种基本形式。中西意识流在创作和理论方面是相同相通的 ,意识流是中西文学的深层问题 ,反映了人类思维和世界文学的某些共同本质。 The stream of consciousness theory in psychology, philosophy and literature originated in the West, and great achievements have been made in stream of consciousness novels. However, this type of writing also appears in classical Chinese poetry, either as a spiritual peculiarity of man himself or as a technique of literary creation. The stream of consciousness format was more readily adopted in lyrical poetry. The author analyses ancient Chinese literary works in the light of this modern theory and demonstrates that stream of consciousness writing not only existed in Chinese classical literature, but also had its own exquisite, highly developed technique and form. The author divides stream of consciousness writing in Chinese classical poems into four types: the natural stream, the swirling stream, the centripetal stream, and the criss cross stream. Stream of consciousness works in the West and in China are identical——a reflection of the common nature of human thought and world literature.

关 键 词： 中国 古典诗词 意识流 技巧 形式 人类思维

领　　域： [文学] [文学]