作　　者： ;

机构地区： 嘉应学院文学院

出　　处： 《嘉应学院学报》 2012年第10期62-67,共6页

摘　　要： 黄遵宪以文化启蒙先驱的姿态倡导书面语变革。他早年的"我手写我口"与"言文一致"等诗歌理论与创作对中国新文学建构产生了深远的意义。他高瞻远瞩,深刻揭示了语言革新的方向与最终目的,即作为白话的书面语必将成为正宗语言,但是,也留下了"缺憾",书面语变革的难题正是后人需要不断探索的问题。对于黄遵宪书面语变革问题的考察不仅有助于准确而深入地把握其诗歌理论的深刻内涵,而且能够切实地理解在晚清至现代文学转型中书面语变革诉求的艰难与复杂性。 Huang Zunxian, as a cultural enlightenment pioneer, advocated written language reform. In early youth, the poetry theory and creation showed far - reaching significance on construction of Chinese literature. He was far- sighted to reveal the airection and purpose of language reform, namely the vernacular written language would become the authentic language. But the reform also left imperfections which need later generations to continuously explore. Huang Zunxian written language reform not only contributes to accurate and in - depth grasp of the profound con- notation of poetry theory, but also help understand the hardship and complexity of modem literature transformation in late Qing dynasty.

关 键 词： 黄遵宪 书面语 变革诉求 远瞻与 缺憾

领　　域： [文学]