作　　者： ;

机构地区： 深圳大学文学院

出　　处： 《中北大学学报（社会科学版）》 2012年第5期85-88,共4页

摘　　要： 废名小说《桥》开篇讲述了一个遥远岛国深夜失火的故事。这个故事在整个小说中独立成篇,别具意味。然而,学术界长久以来对这个故事缺乏必要的关注,几乎没有人深入分析过这个故事在《桥》中的存在意义。通过分析故事中一场来势凶猛的大火与一种隔岸观火的姿势和一个无法丢弃的玩偶三者之间的微妙关系,探讨废名在写实中造梦境和无处不在的游戏叙述的创作原则,及其在废名作品中的体现。 Feimeng narrates a story about a fire breaking out in the middle night in a remote village in the beginning of Bridge, and this story is selfexistent and has something new in the novel. But the academe have paid little attention to this story, and nearly nobody analyzed this story. This thesis analys the delicate relations among the violent fire, the attitude looking on somebody＇s trouble with indifference and the doll which is cannot be discarded, and furthermore it probes into Fenming＇s fiction notions, among which are the technique of weaving the dreams into the reality and the playing narration, and their embodiment in his works.

关 键 词： 桥 审美距离 玩偶 游戏叙述 创作观

领　　域： [文学]