作　　者： ;

机构地区： 江苏大学

出　　处： 《毕节学院学报（综合版）》 2012年第10期99-104,共6页

摘　　要： 作为中国文学浪漫主义源头的屈骚,其诗歌意境的营造主要借助于自然形态、社会形态、历史形态、神话形态这四大精神家园之媒介,在诗人溯古探今、上天入地的不息追寻中,强烈抒发怀才不遇、忧国忧民、固持操守、忠君爱国的深厚感情,从而形成具有崇高、悲壮、凄怆意蕴的屈骚意境审美特征。屈骚意境,经过杜甫的潜心揣摩与自然融通,形成了其诗所蕴含的崇高悲壮、沉郁顿挫风格的意境之美,从而使其诗歌别具骚雅之魂魄而焕发出空前的艺术生命光彩。 Qu Sao, as the origin of romanticism in Chinese literature, establishes its poetic mood mainly by use of the media of natural, social, historical and mythological formations these four spiritual homes. And it intensely expresses the deep feelings of unrecognized talent, concern about country and people, royalty fixa- tion and royalty to the throne and devotion to the country, in the unceasing pursuit of the poet for seeking in past and the present, forming an aesthetic feature of Qu Sao mood with majesty, ＇ s careful conjecture and connection to the nature, Qu Sao mood, forms its mood, making the soul in the poem of coruscate unprecedented life color of art.

关 键 词： 屈骚意境 杜甫 融通

领　　域： [文学]