作　　者： ;

机构地区： 华南师范大学增城学院

出　　处： 《湖南工业大学学报（社会科学版）》 2012年第4期148-151,共4页

摘　　要： 英国唯美主义运动的代表人物奥斯卡·王尔德创作了不少悲剧童话故事,以独特的叙事风格赋予悲剧作品深刻的内涵与意蕴。他在故事中融入丰富的想象与情感,抓住物质与精神矛盾的两极进行叙事布局与铺陈,以先"扬"后"抑"的叙事基调、静默的隐含作者、二元对立的叙事视角、宗教的救赎精神,以及暗合的同性恋观讲述悲剧主人公们无法圆融的爱情与人生。这些悲剧作品无疑潜藏着王尔德个人的人生路线,预言着他的最终归宿,并验证了他对生命与艺术本质的探索与追求。 Oscar Wilde, the representative figure of the aestheticism movement in the United Kingdom in 19th century, had created many fairy tales with profound connotation and tragic implication by using a unique narrative style. He endowed these fantastic works with rich imagination and emotion, carrying out his elegant narrative layout and elaboration by using two contradictory poles between the material and spirit. In addition, he created many successful tragical characters and narrated their unhappy life and sorrowful love stories with a changeable narrative tone. As a silent implied author who never involved the process of the narration of the stories themselves, Oscar Wilde made good use of the binary opposition of narrative perspectives to make sad stories which really showed the spiritual intrinsic of religious salvation and a hidden view of homosexuality. To some degree, these tragedies seemed to have pointed out the clue of Oscar Wilde＇s personal life, the prediction about his ultimate fate, and the reflection of his exploration and pursuit of the essence of life and art.

关 键 词： 奥斯卡 王尔德 悲剧童话 叙事

领　　域： [文学]