作 者: ;
机构地区: 嘉应学院美术学院
出 处: 《嘉应学院学报》 2012年第7期19-23,共5页
摘 要: 出国留学是林风眠艺术人生的重大转折点。20世纪初年,客家社会存在着较浓厚的崇洋心态,客家地区尽管依然以"中国画"为主,却已经有着较为浓厚的西洋艺术氛围。在此背景下,林风眠已经接触到西洋绘画艺术,并受其吸引和老师的引导,尊崇和向往欧洲的绘画艺术;到法国勤工俭学高潮的兴起则让林风眠实现了留学的愿望;林风眠带着对西洋绘画艺术的景仰,到巴黎学习"西洋画",从而实现了从艺术兴趣到专业学习的飞跃。 Studying abroad is a great turning point in Lin Feng - mian' s art life. At the beginning of the twentieth century, there existed comparatively strong western - worship mentality in Hakka society. Though still giving priori- ty to "Chinese painting", Hakkas regions already had a relatively strong western art atmosphere. In this context, Lin Feng - mian has been exposed to western painting art and attracted by it. What' s more, his teacher Liang Bo- cong' s guidance led him to worship and yearn for European painting art. The climax of the rise to France work - study allows him to realize his wish to study abroad. With the respect and admiration for the western painting, he went to Paris to study "western painting", which realized the leap from interest to professional study.
领 域: [艺术]