作　　者： ;

机构地区： 深圳大学文学院

出　　处： 《外国文学研究》 2012年第3期51-59,共9页

摘　　要： 《金鱼》以黑人少女莱拉的经历为例书写了世界流散黑人的认同处境与困境。流散黑人群体一方面互助互爱,另一方面却无法真正获得认同的力量。黑人音乐作为非洲音乐与欧洲音乐的混合体,成为了流散黑人认识非洲、认同自我并获得世界认同的一个重要媒介。黑人音乐内化了非洲文化遗产与精神力量,不仅沟通流散黑人并使之形成精神同盟,反抗西方世界里黑人受到的不公平待遇,并在精神上寻求非洲的文化之根,同时还使流散黑人认同世界,积极融入西方世界。黑人音乐的世界性与流散黑人文化认同的双重性也折射出作者勒克莱齐奥的世界主义情怀。 The Novel Poisson D＇ or takes Lala as an example to describe diaspora situation of Afri- can black people. As a loose community, diasporic people help and love each other, but they can not obtain their inner identity. Black music plays a significant role for black people to get their cultural identity. Black music helps black people to know Africa, to know their culture and to be known by the Western world. Black music is also the real power for them to liberate themselves from history and society. Meanwhile black music popular in the Western world represents its modernity and the double consciousness of black people, which also illustrates the cosmopolitism of the author Le Clezio.

关 键 词： 金鱼 黑人音乐 流散黑人 认同性

领　　域： [艺术]