作　　者： ;

机构地区： 华南师范大学美术学院

出　　处： 《清远职业技术学院学报》 2012年第2期42-45,共4页

摘　　要： 不重构瑶绣的存在语境,只是将瑶绣重新作为一个对象性的因素,应用于对文化与经济发展问题的研究,而又不重蹈以前许多著述在方法、理论和意识形态问题上的覆辙。这一任务现在具有头等重要意义,因为社会发展的一般现实已经使我们走到了纯粹从体制方面解释这些问题的极限。本文试图借用符号学的推论方式分析瑶绣一度被虚无化的内在含蕴,以工具主义的实用态度推论瑶绣图像的意义及其潜在的演绎可能性,并由此探讨瑶绣的发展前景。 We don＇t intend to refactor Yao Emhroidery＇s existing context, but just try to regard it back as an element of objectivity so that it can be manufactured in the research for culture and economy developing without repeating the mistake before in writings on methods, theories and ideology. This is the most important task for now because the social development made it limitation to explain the problems purely from the aspect of system of organization. This essay intends to analyze the inner meaning of Yao Embroidery which had once been deconstrocted with semeiology, to infer its meaning and its potentials of adoption with instrumantalism and to discuss Yao Embroidery＇s potential development from these.

关 键 词： 瑶绣 能指 所指 拟他 观念更新 发展

领　　域： [文化科学]