作　　者： ; ;

机构地区： 郑州大学文学院

出　　处： 《兰州大学学报（社会科学版）》 2012年第3期41-45,共5页

摘　　要： 无论是作为一种创作技法,还是作为一种文体,"赋"都与《诗》有着不可分割的联系。作为文体的赋,并非由作为创作技法的"诗六义"之赋独立发展而来,赋"文体化"的发生主要是基于"赋《诗》"言志行为的文本化。无论是赋《诗》之"赋",还是"失志之赋",都展现了士人对国家意识形态的关切以及对自身介入政治的渴望。 The fu, an ancient Chinese versified essay form, is closely related to Poetry, China＇s first poetry collection. As a genre, the fu has nothing to do with its namesake, one of the six purposes of Poetry; rather, it is derived from the very action of ＂elaborating＂ the poet＇s will and sentiments, which, by coincidence, is another namesake of fu. Whatever its origin, the prosperity of this kind of writing reveals the ancient Chinese scholars＇ aspiration for political participation and their awareness of a national ideology.

关 键 词： 赋 诗 创作技法 文体 国家意识形态

领　　域： [文学]