作　　者： ;

机构地区： 韩山师范学院音乐系

出　　处： 《星海音乐学院学报》 2012年第1期62-71,共10页

摘　　要： 潮州弦诗乐中所使用的轻三六调、轻三重六调以及重三六调等几种音阶,其实属于不同的宫系统,每个宫系统都有本系统内的偏音,这些偏音作为本系统偏音时具有装饰的游弋不稳定功能,而转入另一音阶的宫系统内作为正音时,又成为不带游弋的稳定的音级,成为不同宫系统音阶之间连接的桥梁,同时音高的观念又受到均孔管类乐器的演奏习惯、师承习惯以及地域方言的影响,最后形成潮州弦诗音乐独有的特色。 The light san-liu mode,heavy san-liu mode and heavy san light liu mode used in Chaozhou xianshi music are actually affiliated to different Gong systems,each of them has its secondary tones which are decorative and unstable in its own Gong system;on the other hand,when they become primary tones in another Gong system mode,they are stable and become the bridge for modes transform in different Gong systems.The pitch concept of Chaozhou xianshi music is affected by the playing habit of equal-apertured pipe musical instruments,the custom of teaching and local accent,all of these finally formed particular characteristics of Chaozhou xianshi music.

关 键 词： 潮州弦诗乐 二四谱 工尺谱 多宫系统 偏音体系 律制

领　　域： [艺术]