作 者: ;
机构地区: 广东工业大学
出 处: 《菏泽学院学报》 2012年第1期112-119,共8页
摘 要: 十九世纪初期的历史小说,尽管作品数量较为丰富,但由于优秀作品较少,因而很少引起学界关注。在为数不多的研究中,普遍评价不高,认为此期历史小说在艺术上乏善可陈,因循守旧,公式化倾向严重,思想上更是陈陈相因,不外乎忠奸斗争与劝善惩恶等传统思想。不过,从思想史与文化史的角度来说,此期历史小说展现出中国近代思想走向的两种不同维度:一方面,既沉醉于天朝大国的辉煌记忆中不能自拔,复古思潮与保守主义盛行;另一方面,随着十九世纪中国内忧外患的逐步深入,对时局敏锐而焦虑的小说家的忧世心态也在历史小说中充分呈现出来。其突出的标志,是对外患内忧的广泛"书写"。 The historical novels at the beginning of 10th century, which arerich in the number of works, but few of them in excellent,have rarely been paid attention by research circles. A few researches of them, with low general comments, think that the historical novels in this period are artistically dull, lockstep, and serious in formulation trend, and ideologically routinization, nothing more than the eraditional ideology of the struggle between loyal officials and treacherous ones and persuading to be good and punishing the evil and so on. However, from the perspectives of ideological history and cultaral history, the historical novels in this period express two different di- mensions of the trend of Chinese modern ideology: on one hand, deeply intoxicated in the great memory of Celestial Empere, trend restoring ancient way and conservatism prevail over; on the other hand, with the gradual development of the domestic strife and foreign agression of China in 19th century, the mood of concerning for the country and the people of novelists, who are keen and anxious about the current affairs, fully showed in the historical novels. Its prominent symbol is the widely "writting" of the domestic strife and foreign agression.
领 域: [文学]