作 者: ;
机构地区: 贵州大学
出 处: 《铜陵学院学报》 2011年第6期80-83,共4页
摘 要: 李脱尘口述的八幕短剧《无底洞》剧词和表演提示,可以视为1930年代滦州影戏演出的鲜活呈现。它可为现代都市影戏短剧创作与演出提供借鉴,具有极大的文献价值和现实意义。李脱尘结合八股文模式,对《无底洞》的故事情节进行了形象的解读,并将其与西洋话剧相对应,作为一名基督教徒,他还关注了剧中的宗教意味。 Newspaper reporter Zhu Yu took notes the eight acts play Non-bottom Cave that Li Tuochen has stated was a vivid performance of Luanzhou Shadow Puppetry in the 1930s. This is also an important Luanzhou Shadow Puppetry oral script; it can give experience to the creation and performance of modern metropolitan short shadow puppetry, so it has very good literary, value and practical significance. As a great shadow puppetry performer, LI Tuoehen interpreted the plots of Non-bottom Cave by the eight groups' composition style; he also compared it with Western opera. LI Tuochen was a Christian; he paid attention to the religious meaning in this play.
领 域: [艺术]