作　　者： ;

机构地区： 广西民族大学文学院

出　　处： 《湖北职业技术学院学报》 2011年第4期70-74,共5页

摘　　要： 焦循曲论充分肯定了戏剧创作中的虚构手法,并以"谬悠"称之。"谬悠"之说,形成于长期以来大量的艺术创作实践中,具有鲜明的民族特色和悠久的历史传统。焦循将"谬悠"说运用于历史剧点评,认为历史剧和史实之间存在相互印证的关系,剧作家的合理虚构甚至比史官记录更符合历史真实。此外,"谬悠"手法在塑造戏剧人物方面也发挥着至关重要的作用。"谬悠"之说对于戏剧艺术尤其是历史剧的创作构思、剧情结构和人物塑造具有重大意义。 Jiao Xun’s distorted comment highly confirms the fiction in dramatic creation,which is called as ＂Miuyou＂.The view of ＂Miuyou＂ lies in carrying out a great deal of artistic creation over a long period of time and has distinctive national characteristics and long-standing history tradition.Jiao Xun applied view of ＂Miuyou＂ to the comment on chronicle play.In his opinion,chronicle play and historical facts corroborate mutually,dramatists’ reasonable fabrication is much closer to the reality than historicgraphers’ records.In addition,the view of ＂Miuyou＂ plays a vital role in modeling drama figures.View of ＂Miuyou＂ has an important significance to creation conception,story structure and character modeling of chronicle plays.

关 键 词： 谬悠 传统 史实反思 塑造人物

领　　域： [文学]