作　　者： ;

机构地区： 东莞理工学院工商管理学院

出　　处： 《东莞理工学院学报》 1994年第1期97-103,共7页

摘　　要： 本文把《红楼梦》的叙事结构看作是一个庭园模式,从庭园的角度探讨《红楼梦》的艺术特性和思想内涵。认为庭园成了对应故事情节的空间坐标系,庭园建筑组群构成了情节的载体和联系中介。庭园模式体现了中国人的围城意识。庭园模式重视家庭内外复杂的人伦关系,以血亲关系安排故事,矛盾冲突集中在家庭内部。庭园情感生活的描述反映了传统女性的闺怨意识。庭园模式是中国农业文化的产物,它重视血亲关系、伦理道德,还与中国农业经济以家族、祠堂为生产单位和社会的组织细胞有很大关系。小说继承了庭园文学的传统,追求静态美的审美情趣,表现出悲剧色彩。 In this paper, author regards the narrative structure of 《Dream of Red Man-sion》 as a model of gardens, and explores, from the angle of gardens, the artistic character and thinking connotation of 《Dream of Red Mansion》, considering that gardens have become a space coordinate of story plots, and that building groups of gardens have consisted of the carrier of plots and associative intermedium. The model of gardens shows our Chinese consciousness of a besieged city, and pays attention to the complex human relations inside or outside a family, besides, it arranges the story according to the blood relationship. The contradictionory conflicts focus on the inside of the family. The narration of emotional life of gardens reflects the traditional female consciousness of boudoir resentment. The model of gardens is the cultural outcome of Chinese agriculture. It not only attaches importance to the blood relationship, ethics and morals, but also has a close relationship with the Chinese agricultural economy which regards a family and a clan hall as a productive unit and a cell of social organizations This novel inherits the literary tradition of gardens, seeks for the interest to appreciate beauty of the static state and shows out a tragic colour.

关 键 词： 庭园模式 围城意识 闺怨意识 静态美 园林艺术 悲剧色彩

领　　域： [文学]