作　　者： ;

机构地区： 复旦大学文物与博物馆学系

出　　处： 《东南文化》 2011年第5期82-90,共9页

摘　　要： 上海博物馆的白玉龙纹鲜卑头的形制起源于北方游牧民族的青铜牌饰,工艺上仿制同时期的金银器,同时采用了中原汉民族喜爱的玉料和纹样。汉晋时期金玉带扣的外形经历了由长方形到前椭后方形的转变;同时,这一时期金玉带扣的材料、制作工艺及设计上也反映了胡汉文化的交流与融合。 The jade buckles in Shanghai Museum originated from the bronze ornaments of the northern nomads while the techniques and crafts were similar to the gold and silver wares of the same period.The material selection over jade and the design motifs and patterns,however,were to the taste of the Han people in the central part of China.During the period of the Han through the Jin Dynasties,the shape of jade and gold buckles transferred from the rectangular one to the one with oval front and square rear.The material,technique,and design of the buckles of this period reflect the cultural exchange and integration between the Han and Hu peoples.

关 键 词： 汉晋时期 带扣 玉器 金器

领　　域： [历史地理] [历史地理]