作　　者： ; ;

机构地区： 华南师范大学

出　　处： 《楚雄师范学院学报》 2011年第10期27-32,38,共7页

摘　　要： 陆志韦因最早自觉地进行新诗节奏试验而在新诗史上占有重要地位。他在表征现代民族国家想象的白话做诗原则下,自《渡河》中南腔北调的精神奋斗失败后,摹仿无韵诗以北京话的轻重音作为新诗节奏的基石,为新诗格律探索在自由诗派的自然语调、新月诗派的整齐划一和后起的音组说之外提供了一条新的道路。陆志韦虽然意识到轻重的局限而回撤到中国传统的用韵,但其《杂样的五拍诗》不仅是具有诗歌形式的试验品,更因为其中凸现的"经验隔断"使它成为我们考察转折时代诗人政治与审美错位的一个典型文本。 LU Zhi - wei plays an important role in the history of modern poetry for the first one to make the experiment of Chinese free verse rhythm consciously. Based on the principle of vernacular, he imitated iambic pentameter of the blank verse to make the stress and unstressed syllable of Beijing dialect as the basic rhythm of the new poem, adding a new method for the meter of the poem besides the natural intonation style of Free Verse and the neat style of New Moon. He realized the limitation of the stress and unstressed syllable and returned to Chinese traditional rhythm, but his Zayang Wupai Shi is regarded as a typical text to study the politics and esthetic dislocation of the poet, being only a sample of the new poem and distinguished for its Experimental Gap （ between the poems and people）.

关 键 词： 陆志韦 节奏试验 南腔北调 白话做诗 经验隔断

领　　域： [文学]